All PACHER, Michael 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
52175 Altarpiece of the Church Fathers  Altarpiece of the Church Fathers   c. 1483 Wood, 212 x 200 cm
8423 Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G  Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G   c. 1483 Panel, 103 x 91 cm Alte Pinakothek, Munich
40249 Altarpiece of the Earyly Chuch Fathers  Altarpiece of the Earyly Chuch Fathers   mk156 c.1480 Oil on panel 216x380cm
8420 Annunciation aghe  Annunciation aghe   1465-70 Panel, 100 x 97 cm Alte Pinakothek, Munich
52050 Christ in Li  Christ in Li   1460s Tempera on pine panel, 85 x 71,5 cm
63695 Christ in Limbo  Christ in Limbo   85 x 71,5 cm Museum of Fine Arts, Budapest As a fulfillment of redemption, Christ, having broken open the gates of hell, has brought with him the pious figures of the Old Testament, holding Adam by the hand as the symbolical incorporation of the whole of humanity. Allusions to this forced invasion, a favoured incident of popular legends and mystery plays, are found even in the Divine Comedy; here it is indicated by cracked and broken stones. It is typical of medieval thinking that hell is represented as a well-guarded building of huge stones, a sort of immense fortified prison; the notions of release, heaven, enjoyment of the delights of Paradise, are conveyed by a fresh green meadow encircled by mountains and forests of fantastic shape, worthy of the imagination of a Tyrolese painter. As symbol of his triumph over death, Christ holds the banner of victory in his hand; the wounds on his hands and feet are clearly visible.Artist:PACHER, Friedrich Title: Christ in Limbo Painted in 1451-1500 , Austrian - - painting : religious
63696 Christ in Limbo  Christ in Limbo   1460s Tempera on pine panel Museum of Fine Arts, Budapest Obviously, every action of the devil against Christ is hopeless and can do no harm. It is ludicrous to see him lean out from his castle at the risk of losing his balance; the fires of hell illuminate his backside with a reddish glow, while he gnashes his teeth mixed with fangs, brandishes his two-pronged fork, and makes a threatening gesture with the blunt, fleshy fingers of his other hand. His head is like that of a he-goat, on his arms there are prickles reminiscent of a bat's wings; the contours of a beak-like nose on his belly complete the phantom figure of horror created by the fantasy of the Middle Ages.Artist:PACHER, Friedrich Title: Christ in Limbo (detail) Painted in 1451-1500 , Austrian - - painting : religious
8424 Flagellation agy  Flagellation agy   1495-98 Panel, 113 x 139,5 cm Österreichische Galerie, Vienna
52210 Mary of Burgundy  Mary of Burgundy   c. 1490 Oil on wood, 47,5 x 35 cm
40227 Resurrection of Lazarus  Resurrection of Lazarus   mk156 1471-1481 Tempera on wood 175x130cm
33453 St Augustine and St Gregory  St Augustine and St Gregory   mk86 c.1480 Oil on wood 212x100cm
21274 St Augustine and St Gregory (mk08)  St Augustine and St Gregory (mk08)   c.1480 Oil on wood, Munich,Bayerische Staatsgemaldesammlun-gen, Alte Pinakothek
8422 St Catherine ag  St Catherine ag   1465-70 Panel, 511 x 49,5 cm Tiroler Landesmuseum Ferdinandeum, Innsbruck
8421 St Lawrence Distributing the Alms ag  St Lawrence Distributing the Alms ag   1465-70 Panel, 100 x 97 cm Alte Pinakothek, Munich
8425 The Engagement of Virgin zg  The Engagement of Virgin zg   1495-98 Panel, 113 x 139,5 cm Österreichische Galerie, Vienna
33452 The Resurrection of Lazarus  The Resurrection of Lazarus   mk86 1471-1481 Tempera on wood 175x130cm
21273 The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)  The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)   1471-1481 Tempera on wood 175x130
42946 The Virgin and Child Enthroned with Angels and Saints  The Virgin and Child Enthroned with Angels and Saints   mk170 1480-1490 Oil on silver 40.3x39.4cm

PACHER, Michael
Austrian Northern Renaissance Painter, ca.1430-1498

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